![]() ![]() Earlier generations might have spoken instead of sources and influences. Reception here signifies the ways in which later periods have received and re-created a literary work. I use the word godmother figuratively, not literally. ![]() Jonathan Alexander and Paul Binski (London: Royal Academy of Arts, Weidenfeld & Nicolson, 1987), 183–91. ![]() Robson-Scott, The Literary Background of the Gothic Revival in Germany: A Chapter in the History of Taste (Oxford: Clarendon Press, 1965), 3–17 Thomas Cocke, “The Wheel of Fortune: The Appreciation of Gothic since the Middle Ages,” in Age of Chivalry: Art in Plantagenet England, 1200–1400, ed. The earliest versions date to the summer of 2011. The incidentals (the regional origins of the two musicians, the specific cathedrals where they played, etc.) vary in different texts, but the most common form has the particulars as retold here. ![]()
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